Projects and Homework Fall 2011
Week 1
Topics
- Lecture
- Introductions, logins, etc.
- Login to angel
- Change names/add portrait image in Angel
- Look at work
- Camera suggestions
- Camera choices and features
- Downloading with Bridge
- Resizing images
- In Class Lab (do in class)
- Shoot outdoor portraits in groups
- Download images with Bridge
- Online Lab (do at home, or in class if you have time)
- Take the opening day survey in Angel
- Watch the video about flickr
- Sign up for Flickr
- Use a good image of yourself for your profile image
- Join Flickr group
- Post 2 images you took in class to our flickr group
- Comment on someone else's images in our group
- Watch the Joel Meyerowitz video on street photography
- Watch the Camera Features video(optional)
To Do
- Read Ch 1 and 2 in Digital Photography: Essential Skills.
- Bring in cameras, manuals, cables or card reader, and tripods if you have them.
- Bring in the The Adobe Photoshop CS5 Book for Digital Photographers by Scott Kelby next class.
Week 2
Subject
- Lecture
- Intro first assignment
- Figure out field trip
- Look at in class Assignments
- Finish Camera choices/features
- Video: Henri Cartier-Bresson and Elliot Erwit video from Contacts, Vol. 1: The Great Tradition of Photojournalism
- Intro Bridge
- Lecture: Film Vs Digital
-
- Camera Controls/Photographic Concepts.
- Exposure
- Aperture
- F Stop
- Effect on Depth of Field
- Shutter Speed
- Effect on Motion
- ISO
- Aperture
- Exposure compensation
- Ways to Expose
- Program or Auto
- aperture priority
- shutter priority
- manual exposure
- Scenes
- Metering patterns
- Depth of Field
- How to control
- Aperture
- Focal Length
- Distance to Subject
- How to control
- Zoom
- Point and shoot controls
- Focus
- Auto/Manual
- Auto focus selection
- Hyperfocal Distance
- Macro
- Infinity
- Focal Length
- Wide/Normal/Telephoto
- 35mm equivalent
- Effect on Depth of Field
- Hand Holding
- ISO
- Noise
- Exposure
- Camera Controls, features and terms.
- Levels
- Shutter
- Image Size
- Image Quality
- Scene settings
- White Balance
- ISO
- CCD
- Diaphragm
- USB
- Firewire
- Storage
- Optical zoom
- Digital Zoom
- EV
- In-camera sharpening
- Dynamic Range
- Bit depth
- Channels
- Macro Function
- Metering Pattern
- In Class Lab (do in class)
- Shoot in class using different exposure settings
- shoot with different shutter speeds
- capture action
- blur action
- shoot with different apertures
- look at shots
- shoot with different shutter speeds
- Online Lab (do at home, or in class if you have time)
- Watch the video on PDF's and Web Galleries in Adobe Bridge
- Create a web gallery of your assignment 1 photos by following the proceedures in the video.
- Watch the Video on Exposure(optional)
- Using your own photos, start going through Ch.1 of Adobe Photoshop CS4 for Digital Photographers. I will provide. Try out the techniques using your photos. There will be a quiz on some of this material.
To Do
- Read Ch 1 and 2 in Digital Photography: Essential Skills.
- Bring in cameras, manuals, cables or card reader, and tripods if you have them.
- Bring in the The Adobe Photoshop CS5 Book for Digital Photographers by Scott Kelby next class.
Outside Class Assignment 1-Location Scout:
Act as a location scout for a movie and document 1 indoor scene and 1 outdoor scene with at least 5 quality images each. Pay close attention to framing, composition and exposure. Change your perspective. You can turn around, get low, point up or down, etc. Make sure you get 10 images that you like.
- Think about the camera settings for each shot(if your camera has manual controls).
- f-stop(aperture)
- shutter speed
- ISO
- shooting mode(manual, aperture priority, etc.)
- general focal length(wide angle, normal or telephoto)
- Experiment with the controls you do have on your camera.
- Experiment with different angles, focal lengths, f-stops(If possible) and shutter speeds(If possible).
- Make sure to shoot at least 1 image using each of the following settings(if your camera allows it).
- aperture priority
- shutter priority
- manual exposure
- manual focus
All images will be due next week. Turn in as a web photo gallery. Make the web gallery at home by watching the video.
Week 3
Subject
- Lecture
- Look at last week's images about shutter speed
- ISO
- Noise
- Exposure Compensation
- Depth of Field
- How to control
- Aperture
- Focal Length
- Distance to Subject
- How to control
- Point and shoot controls
- Focus
- Auto/Manual
- Auto focus selection
- Hyperfocal Distance
- Macro
- Infinity
- Auto focus selection in SLR's
- Focal Length
- Effect on Depth of Field
- Hand Holding
- Ways to Expose
- Scenes
- Metering patterns
- Zoom
- In Class Lab (do in class)
- Shoot in class manipulating depth of field
- shoot with different apertures, focal lengths and distances to subjects
- Look at images in class
- Online Lab (do at home, or in class if you have time)
- Watch the video on Camera Controls 1 - Point and Shoot
- Watch the video on Camera Controls 2 - DSLR
- Using your own photos, going through Ch.1 of Adobe Photoshop CS5 for Digital Photographers. Try out the techniques using your photos. There will be a quiz on some of this material.
To Do
- Assignment 1 Due
- Turn is as web photo gallery
- Watch the video for help on creating a web photo gallery
Outside Class Assignment 2:
Bring in at least 10 photos from a photographer of your choice. Bring in files if possible, not a URL. They can be the work of any kind of photographer(commercial, artist, photojournalist, etc). The work can be straight or manipulated. We will create a web gallery in class to turn in. Be prepared to discuss the work and why you chose this photographer in a short presentation.
DUE NEXT WEEK as a PDF gallery.
Week 4
Subject
- Lecture
- Quiz after this week at home over the material and videos so far
- The quiz will be available in angel Monday Sept. 26 until Friday Sept. 30
- Sign up for field trip
- Look at depth of field photos
- The Frame
- Look at Assignment 1 photos
- Tripods/alternatives
- Gorillapod
- monopods
- beanbags
- stationary objects
- More Point and shoot controls
- Metering Patterns
- In Class Lab (do in class)
- Shoot in class manipulating the Frame and Composition of your photos
- Online Lab (do at home, or in class if you have time)
- Watch Adobe bridge Intro Video first
- Take the quiz at home. It is under the lessons tab in Angel.
- Complete the Camera Survey in Angel
To Do
- PDF Gallery of Assignment 2 Due.
- Bring in cameras, manuals, cables or card reader, and tripods if you have them.
- Bring in old photos to scan if you have them
Outside Class Assignment 3:
Photograph a chair or other similar object. Don't use a chair unless you have no imagination. Be as creative as you can. You can move the object, change the lighting, etc. Think about all the options you have with 1 subject. Shoot at least 50 images. Select your 5 best images only. They can be manipulated or straight. You will turn in all 50 images. Turn in as a folder of files, with your 5 selects in an inside folder.
- For help, consider the following list of characteristics of images:
- Composition
- Framing
- Focus/depth of field
- Light
- Contrast
- Color
- Point of emphasis
- Line
- Shape
- Texture
- Balance
- Point of view
- Motion
- Perspective
Week 5 Sept. 30
Subject
- Lecture
- Douglas Kirkland Video from Lynda.com
- Go over the quiz
- What makes a good photo?
- Talking about images/Ways to Critique
- Group Critique Assignment 2 photos
- Piknik
- SLR Controls
- Photoshop.com
- Basic image/scan correction
- Picnik
- Adobe Photoshop online photo editing
- DSLR Camera Video Accessories
- Redrock Micro
- Zacuto
More terms. - EV
- Bit depth
- Channels
- Dynamic Range
- Understanding Dynamic Range in Digital Photography
- Bit depth
- In Class Lab (do in class)
- Clean up 2 of your own images using the basic techniques we went over
- Group Critique
- Online Lab (do at home, or in class if you have time)
- Watch the video on Garry Winogrand
- Edit 2 scanned images of your own using picnik.com or photoshop. Turn in before and after versions of your images sized to 1000 pixels or less to the dropbox in Angel under the lesson tab. Due by next class.
To Do
- Camera Survey in Angel Due
- Bring in old photos to scan
- Bring in cameras, manuals, cables or card reader, and tripods if you have them.
Week 6 Oct. 7
Subject
- Lecture
- Image processing/Process assignment 3
- Intro Assignment 4
- The quality of light
- Top 40 best photo websites
- Jeff Wall video from Contacts, Vol. 2: The Renewal of Contemporary Photography
- Tips for photographing people(file)
- Posing Tips
- SLR Controls
- DSLR Camera Video Accessories
- Redrock Micro
- Zacuto
More terms. - EV
- Bit depth
- Channels
- Dynamic Range
- Understanding Dynamic Range in Digital Photography
- Bit depth
Street Photography - Joel Meyerowitz video on street photography(Video)
- Garry Winogrand(Video)
- Robert Frank: The Americans(Video)
- In Class Lab (do in class)
- Shoot portraits outside
- Shoot portraits of each other(with a camera)
- Shoot a stranger(with a camera)
Online Lab (do at home, or in class if you have time) - Watch these videos on shooting portraits with bounce
- Get a piece of foamcore(cardboard with a white surface) and use it as a bounce to redirect light. Take some pictures of objects and/or people with and without the board to see the difference. You do not have to turn them in. You can get foamcore at art supply stores like Michaels, or maybe other locations like office supply stores.
To Do
- Outside Class Assignment 3 Due
- Scanned image cleanup due(see week 5 outside lab above).
Do 2 outdoor portrait series' of a person.
Series 1:
One series will be of someone you know. The images can be posed or candid.
Series 2:
The second series is of someone you don't know. Approach someone who looks interesting to you and ask to take their photograph. It could be at an event, a park, etc. You can have them look at the camera, or you can capture the person as they are performing an activity or interacting with others.
For both series, try to portray the subjects character. Lighting can can be natural or artificial, but try to use the ambient(existing) light as much as possible. You can use flash if necesary to supplement the existing light(fill flash). Pick the 5 best images from each session and bring in the files. GET CLOSE.
Read Ch. 7 and 8 in your book for tips on telling a story and photographing people.
Week 7 Oct 14
Subject
- Field Trip
- Meet at San Jose Museum of Art at 12:40PM
- Talking about images/Ways to Critique
- Start Lighting/Lighting tips
- On camera and off camera flash for fill outdoors
- Street photography
- Architectural photography
- HDR
- Shoot portraits outdoors with bounce board
To Do
- Bring Cameras, tripods, and separate hotshoe flash if you have them
- Street photography
- Architectural photography
- HDR
- Critique Assignment from the Museum
Week 8 Oct. 21
Subject
- Lecture
- Look at Assignment 3 Images
- Intro HDR Assignment
- Make HDR Images
- Start Camera Raw
- Finish hotshoe flash
- In studio
- DSLR Camera Video Accessories
- Redrock Micro
- Zacuto
- Camera Raw
- White balance
- Exposure
- Clarity
- Fill Light
- Curves
- Cropping and straitening
- Camera profiles
- In Class Lab (do in class)
- Shoot Portraits with strobe or hotshoe flash
- Make HDR's from last weeks images
- Online Lab (do at home)
- Watch Camera Controls 2 - DSLR
- Richard Avedon: Darkness and Light (1/9)
To Do
- Outside Assignment 4 Due
- Bring in all images from last weeks field trip
- Make sure to bring your Adobe CS5 for Photographers book and cameras.
- Read Ch. 7 in Digital Photography: Essential Skills.
- Read HDR Tips and Stuck in Customs HDR Photography Tutorial
Outside Assignment 5:
Shoot bracketed images of 2 high contrast scenes and create HDR images from them using Photomatix and/or Photoshop. Make 1 realistic version of each scene and 1 painterly/hyperreal version of each for a total of 4 final images.
Week 9 Oct. 28
Subject
- Lecture
- Look at Assignment 4
- Look at Family of Man from America Photography
- Studio Strobe and portrait lighting
- Studio Product shots
- Start Camera Raw
- Selections
- Compositing
- Camera Raw
- White balance
- Exposure
- Clarity
- Fill Light
- Curves
- Cropping and straitening
- Camera profiles
- In Class Lab (do in class)
- Work on studio product shots and studio portraits
- Work on Ch.3 of The Photoshop CS5 Book for Digital Photographers
- Online Lab (do at home, or in class if you have time)
- Watch the video on Introduction to Camera Raw
- Watch the video on Selecting and follow along with these files
To Do
- Work on Assignment 5
Make 2 composite images(not faces) on the subject of your choice, with at least 1 being as believable as possible. Use at least 2 original(shot by you) images in each composit. Try to match lighting, color, f-stop, focal length, etc.
Week 10 Nov. 4
Subject
- Lecture
- Review for Quiz
- Small product photography
- Review Selections
- Refining Selections
- Compositing
- Frankenfaces
- Compositing shadows
- Jerry Uelsmann at pixchannel
- PDN Legends Online: Jerry N. Uelsmann
- http://www.uelsmann.com/
- History of Compositing
- Look at Composting Examples
- http://ralphclevenger.com
- http://sugardigital.com
- go to retouching
- http://fatcatdigital.com
- go to case studies
- http://rocketart.com
- go to portfolio and see original images
- http://fiscusphoto.com
- http://glenwexlerstudio.com
- go to improbable realities
- http://jamiestillings.com
- http://saddingtonbaynes.com
- http://chrisorwig.com/retouching
- Adobe.tv video on refining edges
- Compositing(shadows). See instructions here.
Shadows and Textures.
- In Class Lab (do in class)
- Shoot objects in studio
- Work on Assignment 6 in class
- Online Lab (do at home, or in class if you have time)
- Quiz, mostly over videos from online lab assignments will be available under the lessons tab in angel starting Nov. 8
To Do
- Outside Assignment 5 Due
- Bring in images to composit for Assignment 6
No Class Nov. 11
Subject
- Online Lab
- No Class this week.
- Make sure you take Quiz 2 which is in Angel under the lessons tab.
- It is mostly over videos from online lab assignments and material covered in class since week 4(see above online lab assignments)
- Make sure you take the quiz by Nov. 17
To Do
- Watch the videos from previous weeks, and take Quiz 2 in angel
- Work on Assignment 6 photos
- Make sure to bring them with you to the Nov. 18 class.
Week 11 Nov. 18
Subject
- Lecture
- Look at Assignment 5
- Intro Final Project
- Watch War Photographer
- Panoramas
- Tethered shooting
- Blending Modes
- Blend if Sliders
- Compositing(shadows). See instructions here.
Shadows and Textures.
- Finish Camera Raw(did not finish)
- Camera profiles
- DNG advantage
- Adjusting or changing large color areas
- Removing spots
- Calibrating for a camera
- Removing noise
- Dodging and burning in camera raw
- Graduated filter
- Lens correction
- Camera Raw image improvement contest
- In Class Lab (do in class)
- Finish Shooting objects in studio
- Work on Assignment 6 in class
- Online Lab (do at home, or in class if you have time)
- Watch this video on Adobe.tv video on refining edges
- Compositing(shadows).
- Download priest file for assignment
Download landscape for assignment - Download the linked files above, watch the video and recreate the final image from the video
- Turn in your final psd from this assignment under the lessons tab in angel
To Do
- Bring in cameras and tripods if you have them
- Bring in your small object to do a studio shot of if you have not already shot one
- Bring in photos to use for Assignment 6
Do a series of photos on the subject of your choice, including at least 10 quality images each able to stand on their own, as well as work as a group.
- Examples:
- Tell a story with images
- Document someones life or an event
- Create a series of landscapes with a common theme or style
Bring in the files of your 10 images. Be prepared to present your images to the class. Also print high quality prints of your best images (at least 3 images) as 8x10s. Bring them in for the critique. You can print them yourself on an inkjet printer with glossy paper, or get them printed by a lab like cvs pharmacy or costco.
No Class Nov. 25
Week 12 Dec. 2
Subject
- Lecture
- Look at Panoramas
- Look at Assignment 6
- Retouching
- Liquify
- Blending modes
- Getting prints made
- Finish Camera Raw
- Camera profiles
- DNG advantage
- Adjusting or changing large color areas
- Removing spots
- Calibrating for a camera
- Removing noise
- Dodging and burning in camera raw
- Graduated filter
- Lens correction
- Camera Raw image improvement contest
- In Class Lab (do in class)
- Blending Modes exercise
- Camera Raw image improvement contest
- Work on Camera Raw Chapter 4 in the Adobe CS5 for Photographers book
- Retouch Portraits
- Online Lab (do at home, or in class if you have time)
- Watch the video on Introduction to Lightroom
- Watch the video on Visual Weight/Point of Emphasis
To Do
- Outside Assignment 6 Due
- Due: Compositing(shadows).
- Download priest file for assignment
Download landscape for assignment - Download the linked files above, watch the video and recreate the final image from the video
- Turn in your final psd from this assignment under the lessons tab in angel
- Bring your Adobe CS5 for Photographers book and cameras.
Extra Credit:
Use the retouching techniques we went over to retouch 2 of your portraits from Assignment 4. Retouch 2 portraits and turn in the before and after images as psd files.
Week 13 Dec. 9
Subject
- Lecture
- Look at assignment 6
- Finish Blending Modes
- Black and white
- Color management
- Color Correction
- Lightroom
- Final Critique
- In Class Lab (do in class)
- Work on Extra Credit Assignment
- Vote on final project images
- Funniest
- Most Visually Interesting
- Best Portrait
- Best Concept
- Best Landscape
- Overall Best image
- Online Lab (do at home, or in class if you have time)
- Review assigned videos for final exam
To Do
- Final Project Due